Leaves, fabric collage

I while ago I had made this fabric collage with different fabrics, sun printed it with Setacolor paints, and then free-motion stitched the leaves onto it.  You can see that post here.

I wanted to create a companion piece with more color. I sun printed leaves on two layers of fabric, a polyester sheer (shown here),

and a heavy cotton canvas (below). As you can see, the paint did not completely cover the canvas. I went in afterwards and covered any white canvas areas with paint. 

When I was testing the sheer over the canvas, the canvas seemed too bright for the background, so I applied a coat of transparent Cerulean blue over the entire canvas. The yellow areas became green, and the magenta areas are a dark blue-purple. I then free motion stitched around the leaf patterns that were printed on the polyester sheer, and cut around the leaves to expose the canvas. I wrapped the fabric around a 15" x 30" canvas and stapled it on the back side.

Detail.

I love to combine color, pattern, and fabric.

12" x 14" gelli prints, cranes

Using the larger 12" x 14" gelli plate, I printed some larger crane images. This first one is definitely my favorite.

I think using red on the crane makes it look more like a flamingo than a crane. They are still pretty awesome.

This background is  hot pink and orange, it looks even more vibrant in person.

Crane gelli prints

I am still working on a series based on Sandhill cranes, using gelli prints.  Since I have been needing a lot of detailed stencils recently, I bought a ScanNCut. I have really enjoyed using it to cut my stencils, but it definitely required some patience figuring some things out, as there is not much in the way of instructions that come with it. I definitely watched a lot of YouTube videos before I even took it out of the box.

I must say that I love my new crane stencil and it has way more detail than I could have gotten by cutting by hand.

The other nice thing about the ScanNCut, is that it saves the file and I can re-size it. All these prints were done on the 8"x 10" gelli plate, but I also had the ScanNCut cut a bigger stencil to use on the 12" x 14" gelli plate.

I worked on a deer stencil too, that I am looking forward to testing out.  I had made one a few days ago, but it just didn't look quite right, so I cut new version.  If I had cut the first one by hand, I would have been much more disappointed that it wasn't good enough.  Having the ScanNCut made it easy to revise my sketch and have it cut a new one.  It's so nice how much easier it is to have the ScanNCut cut it, instead of dreading hand-cutting it myself.

Me and my crazy ideas, white patchwork backgrounds

I got it in my head that I wanted to use layered fabrics as the base for paintings.  My plan is to use white fabric, and when painting, save some of the white areas.

I worked on making my patchwork white fabric backgrounds first. These are fabric pieces laid on a base fabric and sewn down. The stitching and raw edges are visible.  I used a mix of textures and fabric types, including textured sheers, jacquard napkins and tablecloths, lace tablecloth (machine made), patterned sheer drapes, linen-type napkins, Ikea patterned fabric divider fabric, lace doilies, woven placemats, matelasse coverlet, etc. (It is amazing to me how I can find nice linens at the thrift store for bargain prices, I recently got a lace machine-made tablecloth, jacquard tablecloth, textured sheer, and many jacquard and linen-type napkins for $9).  I kept all the fabrics in square and rectangle shapes as the paintings will be more organic.

The problem with loving an idea is it is all too easy to go overboard. I started with making two big pieces, roughly 30" x 36", that could be wrapped around a 24" x 30" canvas.

Then I took some canvas I had previously cut to wrap 12" square canvases, and made six of them.  

In the continuation of my brilliant idea, I thought I would make somewhat smaller ones (10"x10") that could have a focal point, and I could cut it out in the focal point shape and sew it to another piece of background fabric. There are 8 of these. (I haven't sewn these down yet).

For the bigger ones I used a spray glue to tack down my fabrics prior to sewing. This glue is meant for fabric and I have to iron it to have the glue activate. For the smallest ones, I just used a dab of water soluble glue stick. I plan to break out my new walking foot and see if that helps keep the fabrics flat for the small ones. I have done some patchwork pieces like this before and I hate having "bubbles" in my fabric as it affects the paint.

Now I have to find the time to paint all of these.  I plan to gelli print some of the smaller ones.

Low-Immersion dyeing

Here I was thinking I was trying immersion dyeing for the first time, and while digging around on my blog, I see that I not only did immersion dyeing, but used the same ancient Createx dyes! That post is here . Too bad I didn't document how I did it the first time.

And the funny thing is, doing it the other day, I decided I really like low-immersion dyeing and it may be my go-to method for using Procion dyes. Less messy, I don't have to stir big tubs of fabric, and don't have to wait for ice or snow to melt.

For this low-immersion dyeing, I used my ancient Createx liquid dyes I had bought used, for pennies, a few years ago. I got sick of them taking up room in my dye box, so decided to use them up by doing low-immersion dyeing.  They are so old that I figured they wouldn't be very strong so I mixed roughly 1/3C of the liquid to make 1 cup of dye. I somehow had lot of brown dye, and did use some Procion Brown, Golden Yellow, and Antique gold with it in two of the containers.

For my dyeing method, I put one cup of dye in the bottom of the container, squashed one yard of damp fabric into it, then added a second cup of a different dye color on top. After 20 minutes, I poured in one cup of soda ash water (3 tsp soda ash dissolved in 1 cup of water).  The two containers (that had Procion colors mixed in) were rinsed out after two hours. One container had folded fabric and one had a scrunched fabric. The dyes did not get into the folds of the folded fabric and left a lot of white. Also, the brown seemed to be more of a maroon and had a red/pink cast to it. The scrunched fabric turned out great with lots of color variation. (Colors used: Createx Brown; Procion Brown, Antique Gold, Golden Yellow). The folded ones are getting re-dyed today.

 Detail

The other containers I let sit for 24 hours. I did this since the dyes were so old, and also in one of them I used black, and I had read it is best to wait 24 hours when using black.

I don't think these dyes were as stale as I thought. The fabric in the containers that sat for 24 hours ended up not having a lot of variation.

Createx brown and magenta

 Createx blue and black

Createx blue and purple

I really like these fabrics, enjoyed immersion dyeing, and am glad to have those Createx dyes out of my stash (they weren't getting any younger, and unlike wine, do not improve with age).

Over-dyeing with low-immersion dyeing

The other day, I did some immersion dyeing and did not like how these two folded pieces turned out. My brown dye ended up very pink (it was very old dye).

 Detail.

 I decided to over-dye them using low-immersion dyeing, but scrunched them, instead of folding them.  I put 1 cup of Procion Olive Green (2 tsp in one cup of water) added my scrunched damp fabric, then poured in 1 cup of Procion Golden Yellow (2 tsp in one cup of water).  I let it sit for 20 minutes, then added my soda ash water (3 tsp soda ash dissolved in one cup of water). I let it sit for 2 hours, then rinsed the fabric out.  I should have probably waited a bit longer, but still like the results and it is a huge improvement.  I would definitely cut these into smaller pieces, as I still don't like how strong the line pattern is from the first dye.

State Fair, cows and quilts

We went to the Nebraska state fair last year and really enjoyed it, so decided to make it a tradition. Just like last year, I made Allen go look at the cows (still planning on more cow art and needed photo references) and the quilts.

We also watched the Galaxy Girl show and it was a bit crazy. This acrobat is hanging from her neck and spinning, while the guy on the motorcycle is driving her around this circular track suspended in the air.

A goat and some cows. It got some better cow shots this year than last year.

I liked the quilts that were a bit less traditional.

By LaVonne Rosso

By Eleanor Gillett

By Susanne Milbourn

Marilyn Heins, this took her 920 hours

This was probably my favorite, and was hung up really high, so I had to fix some distortion in Photoshop and had to crop it a bit.

I also want to do some flower art, so took some photos in the flowers/flower arranging area.

We ate some carnival food, looked as some vendor booths, and had a great day at the Fair.